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Description
Today, I’m stepping onto a film set as a sound recordist for the first time — and I quickly realize that getting good sound is much harder than it looks. I’ll be testing three different ways to record audio, from tiny lavalier mics to a professional shotgun mic on a boom pole. And I’ll try to understand why, on film sets, the sound recordist sometimes has to run after actors with a giant microphone hovering over their heads.
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